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MUSIC
R & D
AAR EDITION INTERNATIONAL
PART   VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC

 

The Unproved on the Path of knowl-edge from the Musi-cal Sound-Space to the Motif-Space


The Listener Deduces the Existence of More Powerful Musical Force-Fields


The Listener Advances to More Comprehensive Organizing Principles


The Feeling as the Driving Force for the Process of Knowing

Emotional Encouragement on the Path towards Musical Truth

 

Intuition of the Feeling in the Finding of Truth in Music

The Unproved
in Gaining Knowledge in Music

When we came from the musical sound-space through the motif-space, and delved into the deeper musical levels of knowledge, the existence of a next higher field of musical knowledge was necessarily evident to us, because the experience of it was not available to us, unless we actually entered this field.

Thus, in the field of the musical sound-space, we could at best anticipate the existence of a motif-space.
Because only from some higher order, which we felt and which seemed to move the tones, we concluded the existence of a more powerful force-field which seemed to cause and control the movement of the tones.

In our systematic investigation into the organizing forces in the musical sound-space, we now advanced step by step into the fields of knowledge of more and more comprehensive organizing principles, and we found that, indeed, forces of a higher order governed the musical sound-space from within.

In the course of this analysis we leaned, above all, on the joyful experience of our feeling which discovered more and more joy within itself as it searched for higher orders.

Due to this increase in joy, our intellectual gaining knowledge in music, our emotional and our intellectual comprehension of a musical meaning beyond the tones, was encouraged more and more.
And this encouragement was of mostly emotional nature, and it was related to the increase of our inner sensation of happiness.

All by intuition, our feeling then grasped the existence of higher organizing principles.
In the musical depths, it found greater simplicity and a more effective application of power of the subtler musical forces.

 

                                                                                 

 

 

 


© AAR EDITION INTERNATIONAL 1982

 

 

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P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

VII
ERRORS IN GAINING
KNOWLEDGE
IN
MUSIC

The Fallacy in Gaining
Knowledge in Music

No Deduction in the
Absolute Musical
Force-Field of the
Harmony

The Contradictory in
Gaining Knowledge in
Music

The Answer Being
Equivalent to the
Question in Music

The Level of Perfect
Creativity of the
Absolute
Tone-Substance

The Unproved in
Gaining Knowledge
in Music

The Secret Rulers of
the Tonal Stars of

Music

The Secret Ruler
of All
Music

Knowing the Unreality
of the Outer Musical
Happening

The Belated





PART   VII