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MUSIC
R & D
AAR EDITION INTERNATIONAL
PART   XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC

 

Technical Sources of Error in the Musical Analysis

 

 


Errors in the Tools of Cognition Propagating

 


Structural-Dynamic Deficiencies in the Uncreative Music Consumer

 

 

 

Uncritical Attitude of the Unenlivened Self-Awareness of the Listener

Necessity
of the Neurophysiological Integration

Consequently, our inner sense of hearing, which now feels the surface of our mind, trying to glean from it the information on the sounding outer event, receives only part of the messages and yet believes firmly that it has received the complete message.

However, it can only hear as much as our mind has displayed.

Incomplete as it is, this message, which our inner sense of hearing has queried from our mind, is transferred to the understanding and to the feeling, which in turn pass the incomplete message on to our self-consciousness, together with the correspondingly incomplete results of their evaluation.

If our self-awareness is uncreative and unlively from within, it knows nothing of the natural potential of infinite diversity of the tone and of its immense, innate flexibility, and therefore it does not expect in the first place that the sound, perceived so incomplete from outside, is more flexible, more agile, more sophisticated and structurally more dynamic in itself than it appears.
And owing to this ignorance, it settles for the lesser information which has been transmitted so mutilatedly from outside to inside.

So, we observe an uncritical attitude of the self-consciousness towards the musical events in the surroundings, or towards the musical influences respectively, and in this manner a non-critical listener becomes a typical music consumer.

 

                                                                                

 

 

 

 

 

 

 

 

 

 


© AAR EDITION INTERNATIONAL 1982

 

 

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P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

XI
INDIRECT AND
DIRECT GAINING
KNOWLEDGE
IN MUSIC

Ancient Truths
in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of
Cognition in the
Process of Gaining

Knowledge in Music

Necessity of the
Neurophysiological

Integration

The Performance of the Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically

Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of
Conventional Musical
Education

Increase of
Performance of the
Intellect in Music

The Eigenfunction of
the Intellect as the

True Musical Creator

The Journey to the
Eternal Sources of
Music

The Highest
Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at
the Origin of All
Creative Thinking

Purposeful
Development of
Performance in the
Field of our

Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

 

PART   XI