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MUSIC
R & D
AAR EDITION INTERNATIONAL
PART   XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC

 

The Natural Basis of Creating Music

 

 

 



Fundamental Know-How of the Creators of Classical Music

 

 

 

 



Access to the Coordinating Power over the Creative Process in Music

General Availability of the Field of All Possibilities

 


General Holistic Insight into
the True Process of
the Art of Music

The Eigenfunction of the Intellect
as the True Musical Creator

By virtue of the eigenfunction of their intellect, all great music poets developed and develop their immortal musical creations – out of the integrated function of feeling and understanding.
In the state of restful alertness they discovered in their intellect the true origin of all music: the harmony.

By enlivening this true source of the art of sound from the silence of their hearts, they stimulated the depth of their minds to vibrate all-creatively.

So, the classical musical poets created their great musical works by successfully identifying themselves with their nature-given, inner music creator – by linking themselves in their conscious thinking to the innermost essence of their life resting in unshakable silence.

From birth on, our great musical creators possessed the ability to transcend – be it by the favour of destiny, or by the merit of heritage – and they knew how to refine their thinking through musical logic.

Today, by listening to genuine classical music, every individual can experience this all-creative potential of the transcendence, for in the inner logic of such music and in the musical cognitive process delineated in it the mental creative process is being developed completely systematically.

Thus, holistic insight into the true process of the art of music is available not only to the genius – who knows by birth and by favourable circumstances how to unfold creativity – but also to the common listener.
By virtue of the musical logic, the common listener becomes a creative music listener, the music lover becomes a music knower, the musician becomes a mediator of the musical truth, and: the music teacher becomes a knower who relies on his very own personal experience.

 

                                                                                

 

 

 

 

 

 

 

 

 


© AAR EDITION INTERNATIONAL 1982

 

a useful connection
science                  music                     art
P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

XI
INDIRECT AND
DIRECT GAINING
KNOWLEDGE
IN MUSIC

Ancient Truths
in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of
Cognition in the
Process of Gaining

Knowledge in Music

Necessity of the
Neurophysiological

Integration

The Performance of the Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically

Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of
Conventional Musical
Education

Increase of
Performance of the
Intellect in Music

The Eigenfunction of
the Intellect as the

True Musical Creator

The Journey to the
Eternal Sources of
Music

The Highest
Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at
the Origin of All
Creative Thinking

Purposeful
Development of
Performance in the
Field of our

Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

 

PART   XI